#CiberDemosCratos
#DigitalNewPaperForXYZPeople
by #HábitatUniversity
#Efemerides
#ArtEtPhotographie
#FraternidadFilantroPicaFutorologaDelFalismo
#SinLugar
#EnUnMundoAlterno
#InternationalWorkShop
---
#Acontecimientos
---
1956 – Fortran, the first modern computer language, is shared with the coding community for the first time.
---
#GlobalChange
United for Global Democracy
more than 950 cities in 82 countries
The 15 October 2011 global protests
were part of a series of protests inspired by the Arab Spring,
the Icelandic Revolution,
the Portuguese "Geração à Rasca",
the Spanish "Indignants",
the Greek Protests,
and the Occupy movement.
The protests were launched under the slogan
"United for #GlobalChange", to which the slogan "United for Global Democracy"
was added by many people's assemblies.
The protest was first called for by the Spanish Plataforma ¡Democracia Real YA! in May 2011 and endorsed by people's assemblies across the world.
Reasons were varied
but mainly targeted growing economic inequality,
corporate influence over government
and international institutions,
and the lack of truly democratic institutions
allowing direct public participation at all levels, local to global.
Global demonstrations were held on 15 October
in more than 950 cities in 82 countries.
The date was chosen to coincide with the 5-month anniversary
of the first protest in Spain.
General assemblies,
the social network n-1,
mailing lists,
Mumble voice chat,
open pads such
as Pirate Pad and Titan Pad, and Facebook
were used to coordinate the events.
Some protests were only a few hundred in number,
whereas others numbered in the hundreds of thousands,
with the largest in Madrid numbering half a million
and the second largest city Barcelona with 400,000.
---
#FelizAniversário
#FelizCumpleaños
#HappyBirthday
#JoyeuxAnniversaire
#BuonCompleanno
#Nacimientos
Titus Lucretius Carus
c. 15 October 99 BC – c. 55 BC
“ O wretched minds of men! O blinded hearts!”
translated into English as On the Nature of Things.
Tis sweet, when, down the mighty main, the winds
Roll up its waste of waters, from the land
To watch another's labouring anguish far,
Not that we joyously delight that man
Should thus be smitten, but because 'tis sweet
To mark what evils we ourselves be spared;
'Tis sweet, again, to view the mighty strife
Of armies embattled yonder o'er the plains,
Ourselves no sharers in the peril; but naught
There is more goodly than to hold the high
Serene plateaus, well fortressed by the wise,
Whence thou may'st look below on other men
And see them ev'rywhere wand'ring, all dispersed
In their lone seeking for the road of life;
Rivals in genius, or emulous in rank,
Pressing through days and nights with hugest toil
For summits of power and mastery of the world.
O wretched minds of men! O blinded hearts!
In how great perils, in what darks of life
Are spent the human years, however brief!—
O not to see that nature for herself
Barks after nothing, save that pain keep off,
Disjoined from the body, and that mind enjoy
Delightsome feeling, far from care and fear!
Therefore we see that our corporeal life
Needs little, altogether, and only such
As takes the pain away, and can besides
Strew underneath some number of delights.
More grateful 'tis at times (for nature craves
No artifice nor luxury), if forsooth
There be no golden images of boys
Along the halls, with right hands holding out
The lamps ablaze, the lights for evening feasts,
And if the house doth glitter not with gold
Nor gleam with silver, and to the lyre resound
No fretted and gilded ceilings overhead,
Yet still to lounge with friends in the soft grass
Beside a river of water, underneath
A big tree's boughs, and merrily to refresh
Our frames, with no vast outlay—most of all
If the weather is laughing and the times of the year
Besprinkle the green of the grass around with flowers.
Nor yet the quicker will hot fevers go,
If on a pictured tapestry thou toss,
Or purple robe, than if 'tis thine to lie
Upon the poor man's bedding. Wherefore, since
Treasure, nor rank, nor glory of a reign
Avail us naught for this our body, thus
Reckon them likewise nothing for the mind:
Save then perchance, when thou beholdest forth
Thy legions swarming round the Field of Mars,
Rousing a mimic warfare—either side
Strengthened with large auxiliaries and horse,
Alike equipped with arms, alike inspired;
Or save when also thou beholdest forth
Thy fleets to swarm, deploying down the sea:
For then, by such bright circumstance abashed,
Religion pales and flees thy mind; O then
The fears of death leave heart so free of care.
But if we note how all this pomp at last
Is but a drollery and a mocking sport,
And of a truth man's dread, with cares at heels,
Dreads not these sounds of arms, these savage swords
But among kings and lords of all the world
Mingles undaunted, nor is overawed
By gleam of gold nor by the splendour bright
Of purple robe, canst thou then doubt that this
Is aught, but power of thinking?—when, besides
The whole of life but labours in the dark.
For just as children tremble and fear all
In the viewless dark, so even we at times
Dread in the light so many things that be
No whit more fearsome than what children feign,
Shuddering, will be upon them in the dark.
This terror then, this darkness of the mind,
Not sunrise with its flaring spokes of light,
Nor glittering arrows of morning can disperse,
But only nature's aspect and her law.
---
Publius Vergilius Maro
October 15, 70 BC – September 21, 19 BC
Roman poet
Thou also, O Æneas' nurse, Caieta, didst avail,
E'en dying, unto these our shores to leave a deathless tale:
And yet thy glory guards the place, thy bones have won it name
Within the great Hesperian land, if that be prize of fame.
---
Михаи́л Ю́рьевич Ле́рмонтов
October 15 [O.S. October 3] 1814 – July 27 [O.S. July 15] 1841
Russian author, poet, and painter
An 1837 landscape by Lermontov. Tiflis, 1837
Mikhail Vrubel's illustration to Demon (1890).
Печальный Демон, дух изгнанья,
Un demonio triste, un espíritu de exilio,
ДЕМОН
Печальный Демон, дух изгнанья,
Летал над грешною землей,
И лучших дней воспоминанья
Пред ним теснилися толпой;
Тех дней, когда в жилище света
Блистал он, чистый херувим,
Когда бегущая комета
Улыбкой ласковой привета
Любила поменяться с ним,
Когда сквозь вечные туманы,
Познанья жадный, он следил
Кочующие караваны
В пространстве брошенных светил;
Когда он верил и любил,
Счастливый первенец творенья!
Не знал ни злобы, ни сомненья,
И не грозил уму его
Веков бесплодных ряд унылый...
И много, много... и всего
Припомнить не имел он силы!
Un demonio triste, un espíritu de exilio,
Él voló sobre una tierra pecaminosa,
Y los mejores días de recordar
Ante él, lleno de gente;
Aquellos días en que la casa de la luz
Estaba brillando, puro querubín,
Cuando un cometa viajera
Con una sonrisa de afectuoso saludo
Le gustaba intercambiar con él,
Cuando a través de la eterna niebla,
El conocimiento es codicioso, él vio
Las caravanas nómadas
En el espacio de las luminarias abandonadas;
Cuando creía y amaba,
¡Feliz primogénito de la creación!
No conocía ni la ira ni la duda,
Y no amenazó su mente
Los siglos de la serie estéril son aburridos ...
Y muchos, muchos ... y todos
¡Recuerde que no tuvo el poder!
Mikhail Lermontov
- caricature of the Russian poet and writer.
1814 - 1841.
Por Eugene Ivanov
---
15 October 1818 – 1 April 1869
Czech pianist and composer
Konzertstück in C-minor for Piano and Orchestra, Op.27
---
Jacques Joseph Tissot
15 October 1836 – 8 August 1902
French painter and illustrator.
Self-portrait in 1865
Saint_Joseph_Seeks_a_Lodging_in_Bethlehem
Saint_Joseph_cherche_un_gîte_à_Bethléem
Brooklyn_Museum
James_Tissot
The Circle of the Rue Royale,
a scene in Paris seen from the balcony
of the Hôtel de Coislin overlooking the Place de la Concorde.
Jacques Joseph Tissot
Brooklyn_Museum
What_Our_Lord_Saw_from_the_Cross
Ce_que_voyait_Notre-Seigneur_sur_la_Croix
James_Tissot
The Ball, 1880
Jacques Joseph Tissot
Gentleman in a Railway Carriage, 1872
Jacques Joseph Tissot
Holyday, 1876
Jacques Joseph Tissot
The Gallery of H.M.S. 'Calcutta' (Portsmouth), 1877
Jacques Joseph Tissot
A Passing Storm, 1876
Jacques Joseph Tissot
The Thames, 1867
Jacques Joseph Tissot
Captain Frederick Gustavus Burnaby, 1870
Jacques Joseph Tissot
Ball on Shipboard, 1874
Jacques Joseph Tissot
---
Friedrich Wilhelm Nietzsche
15 October 1844 – 25 August 1900
German philosopher, cultural critic, poet, philologist,
and Latin and Greek scholar
whose work has exerted a profound influence
on Western philosophy and modern intellectual history.
The Music Of Friedrich Nietzsche (1991) _ Full Album.
Lou Salomé, Paul Ree and Friedrich Nietzsche.
Nietzsche believed the press and mass culture led to conformity and brought about mediocrity.
Nietzsche, La ética de un moralista, The ehics of an Inmoralist, Ed. Cátedra, España 2000, Colección Teorema, Serie Mayor.
* 323 El éxito del pensamiento moderno en la subversión de los estándares morales autoritarios, significo que si fuera posible dominar la necesidad, no habría razón para abstenerse de hacerlo.
Friedrich Nietzsche, La Gaya Zcienza, (La Ciencia Jovial) Ed. Libsa, 2000 España
*34 Los hombres de la corrupción son ingeniosos y calumniadores,
saben que hay mas modos de asesinar que el puñal y la sorpresa,
y saben también que se cree todo lo que bien se dice.
Friedrich Nietzsche Ecce Homo, Ed. Alba, 2001 Madrid España
*180 Todo lo que hasta ahora se ha llamado "verdad"
ha sido reconocido como la forma mas perjudicial,
mas ladina,
mas subrepticia de la mentira
---
15 October 1923 – 19 September 1985
Italian novelist, short story writer, and journalist
página 94
Lo que verdaderamente cada uno
de nosotros es y tiene es el pasado;
todo lo que somos y tenemos
es el catálogo de las posibilidades no fallidas,
de las pruebas prontas a repetirse.
#LaCitaExtrañaCon
Italo Calvino, Tiempo Cero, Ed. Minotauro,
Ti con Zero (1985), Traductor Aurora Bernandez,
España 2002 pp 175
853 C3438 T533 ejemplar 3
---
15 October 1926 – 15 February 1981
German organist and conductor
Georg Friedrich Händel (1685 - 1759)
Concierto para órgano HWV 306, Opus 7
[Organ Concerto/Orgel Konzert, Opus 7]
1. Nr. 1
2. Nr. 3
3. Nr. 4
4. Nr. 5
Münchener Bach Orchester
Karl Richter, Orgel/órgano y director.
---
Choi Jun-hong
born October 15, 1996
South Korean rapper and dancer
【TVPP】Bang & Zelo(B.A.P) - Never Give up, 용국, 젤로(비에이피) - 네버 기브 업 @ Show! Music Core Live
---
#OperaDelDía
Il Ballo Delle Ingrate
Claudio Monteverdi
---
No hay comentarios:
Publicar un comentario